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Hall of Raziel™ › Library › Hindu › Ramayana › Book I › Canto 4

Ramayana · Book I · Bāla Kāṇḍa

Ramayana, Book I, Canto 4: The Rhapsodistsबालकाण्डम्

Ralph T. H. Griffith’s English verse (1870–74), beside the Sanskrit of sarga 1.4.

4Sanskrit sarga 1.4 · Sanskrit source · English source

Sanskrit

श्रीमद्वाल्मीकियरामायणे बालकाण्डे चतुर्थः सर्गः ॥१-४॥
प्राप्तराज्यस्य रामस्य वाल्मीकिर्भगवानृषिः ।
चकार चरितं कृत्स्नं विचित्रपदमर्थवत् ॥१-४-१॥
चतुर्विंशत्सहस्राणि श्लोकानामुक्तवानृषिः ।
तथा सर्गशतान् पञ्च षट्काण्डानि तथोत्तरम् ॥१-४-२॥
कृत्वा तु तन्महाप्राज्ञः सभविष्यं सहोत्तरम् ।
चिन्तयामास को न्वेतत् प्रयुञ्जीयादिति प्रभुः ॥१-४-३॥
तस्य चिन्तयमानस्य महर्षेर्भावितात्मनः ।
अगृह्णीतां ततः पादौ मुनिवेषौ कुशीलवौ ॥१-४-४॥
कुशीलवौ तु धर्मज्ञौ राजपुत्रौ यशस्विनौ ।
भ्रातरौ स्वरसंपन्नौ ददर्शाश्रमवासिनौ ॥१-४-५॥
स तु मेधाविनौ दृष्ट्वा वेदेषु परिनिष्ठितौ ।
वेदोपबृंह्मणार्थाय तावग्राहयत प्रभुः ॥१-४-६॥
काव्यं रामायणं कृत्स्नं सीतायाश्चरितं महत् ।
पौलस्त्यवधमित्येवं चकार चरितव्रतः ॥१-४-७॥
पाठ्ये गेये च मधुरं प्रमाणैस्त्रिभिरन्वितम् ।
जातिभिः सप्तभिर्युक्तं तन्त्रीलयसमन्वितम् ॥१-४-८॥
रसैः शृङ्गारकरुणहास्यरौद्रभयानकैः ।
वीरादिभी रसैर्युक्तं काव्यमेतदगायताम् ॥१-४-९॥
तौ तु गान्धर्वतत्त्वज्ञौ स्थानमूर्च्छनकोविदौ ।
भ्रातरौ स्वरसम्पन्नौ गन्धर्वाविव रूपिणौ ॥१-४-१०॥
रूपलक्षणसम्पन्नौ मधुरस्वरभाषिणौ ।
बिम्बादिवोत्थितौ बिम्बौ रामदेहात् तथापरौ ॥१-४-११॥
तौ राजपुत्रौ कार्त्स्न्येन धर्म्यमाख्यानमुत्तमम् ।
वाचोविधेयं तत्सर्वं कृत्वा काव्यमनिन्दितौ ॥१-४-१२॥
ऋषीणां च द्विजातीनां साधूनां च समागमे ।
यथोपदेशं तत्त्वज्ञौ जगतुः सुसमाहितौ ॥१-४-१३॥
महात्मानौ महाभागौ सर्वलक्षणलक्षितौ ।
तौ कदाचित् समेतानामृषीणां भावितात्मनाम् ॥१-४-१४॥
मध्ये सभं समीपस्थाविदं काव्यमगायताम् ।
तच्छ्रुत्वा मुनयः सर्वे बाष्पपर्याकुलेक्षणाः ॥१-४-१५॥
साधु साध्विति तावूचुः परं विस्मयमागताः ।
ते प्रीतमनसः सर्वे मुनयो धर्मवत्सलाः ॥१-४-१६॥
प्रशशंसुः प्रशस्तव्यौ गायमानौ कुशीलवौ ।
अहो गीतस्य माधुर्यं श्लोकानां च विशेषतः ॥१-४-१७॥
चिरनिर्वृत्तमप्येतत् प्रत्यक्षमिव दर्शितम् ।
प्रविश्य तावुभौ सुष्ठु तथाभावमगायताम् ॥१-४-१८॥
सहितौ मधुरं रक्तं सम्पन्नं स्वरसंपदा ।
एवं प्रशस्यमानौ तौ तपः श्लाघ्यैर्महर्षिभिः ॥१-४-१९॥
संरक्ततरमत्यर्थं मधुरं तावगायताम् ।
प्रीतः कश्चिन्मुनिस्ताभ्यां संस्थितः कलशं ददौ ॥१-४-२०॥
प्रसन्नो वल्कलं कश्चिद् ददौ ताभ्यां महायशाः ।
अन्यः कृष्णाजिनमदाद् यज्ञसूत्रं तथापरः ॥१-४-२१॥
कश्चित् कमण्डलुं प्रादान्मौञ्जीमन्यो महामुनिः ।
बृसीमन्यस्तदा प्रादात् कौपीनमपरो मुनिः ॥१-४-२२॥
ताभ्यां ददौ तदा हृष्टः कुठारमपरो मुनिः ।
काषायमपरो वस्त्रं चीरमन्यो ददौ मुनिः ॥१-४-२३॥
जटाबन्धनमन्यस्तु काष्ठरज्जुं मुदान्वितः ।
यज्ञभाण्डमृषिः कश्चित् काष्ठभारं तथा परः ॥१-४-२४॥
औदुम्बरीं ब्रुसीमन्यः स्वस्ति केचित् तदावदन् ।
आयुष्यमपरे प्राहुर्मुदा तत्र महर्षयः ॥१-४-२५॥
ददुश्चैवं वरान् सर्वे मुनयः सत्यवादिनः ।
आश्चर्यमिदमाख्यानं मुनिना सम्प्रकीर्तितम् ॥१-४-२६॥
परं कवीनामाधारं समाप्तं च यथाक्रमम् ।
अभिगीतमिदं गीतं सर्वगीतेषु कोविदौ ॥१-४-२७॥
आयुष्यं पुष्टिजननं सर्वश्रुतिमनोहरम् ।
प्रशस्यमानौ सर्वत्र कदाचित् तत्र गायकौ ॥१-४-२८॥
रथ्यासु राजमार्गेषु ददर्श भरताग्रजः ।
स्ववेश्म चानीय ततो भ्रातरौ स कुशीलवौ ॥१-४-२९॥
पूजयामास पूजार्हौ रामः शत्रुनिबर्हणः ।
आसीनः काञ्चने दिव्ये स च सिंहासने प्रभुः ॥१-४-३०॥
उपोपविष्टैः सचिवैर्भ्रातृभिश्च समन्वितः ।
दृष्ट्वा तु रूपसम्पन्नौ विनीतौ भ्रातरावुभौ ॥१-४-३१॥
उवाच लक्ष्मणं रामः शत्रुघ्नं भरतं तथा ।
श्रूयतामेतदाख्यानमनयोर्देववर्चसोः ॥१-४-३२॥
विचित्रार्थपदं सम्यग्गायकौ समचोदयत् ।
तौ चापि मधुरं रक्तं स्वचित्तायतनिःस्वनम् ॥१-४-३३॥
तन्त्रीलयवदत्यर्थं विश्रुतार्थमगायताम् ।
ह्लादयत् सर्वगात्राणि मनांसि हृदयानि च ।
श्रोत्राश्रयसुखं गेयं तद् बभौ जनसंसदि ॥१-४-३४॥
इमौ मुनी पार्थिवलक्षणान्वितौ ।
::कुशीलवौ चैव महातपस्विनौ ।
ममापि तद् भूतिकरं प्रचक्षते ।
::महानुभावं चरितं निबोधत ॥१-४-३५॥
ततस्तु तौ रामवचः प्रचोदिता-
::वगायतां मार्गविधानसम्पदा ।
स चापि रामः परिषद्गतः शनै-
र्बुभूषयासक्तमना बभूव ह ॥१-४-३६॥
इत्यार्षे श्रीमद्रामायणे वाल्मीकीये आदिकाव्ये बालकाण्डे चतुर्थः सर्गः ॥१-४॥

English Griffith

When to the end the tale was brought,
Rose in the sage’s mind the thought;
“Now who throughout this earth will go,
And tell it forth that all may know?”
As thus he mused with anxious breast,
Behold, in hermit’s raiment dressed,
Kuśá and Lava56 came to greet
Their master and embrace his feet.
The twins he saw, that princely pair
Sweet-voiced, who dwelt beside him there
None for the task could be more fit,
For skilled were they in Holy Writ;
And so the great Rámáyan, fraught
With lore divine, to these he taught:
The lay whose verses sweet and clear
Take with delight the listening ear,
That tell of Sítá’s noble life
And Rávaṇ’s fall in battle strife.
Great joy to all who hear they bring,
Sweet to recite and sweet to sing.
For music’s sevenfold notes are there,
And triple measure,57 wrought with care
With melody and tone and time,
And flavours58 that enhance the rime;
Heroic might has ample place,
And loathing of the false and base,
With anger, mirth, and terror, blent
With tenderness, surprise, content.
When, half the hermit’s grace to gain,
And half because they loved the strain,
The youth within their hearts had stored
The poem that his lips outpoured,
Válmíki kissed them on the head,
As at his feet they bowed, and said;
“Recite ye this heroic song
In tranquil shades where sages throng:
Recite it where the good resort,
In lowly home and royal court.”

 The hermit ceased. The tuneful pair,
Like heavenly minstrels sweet and fair,
In music’s art divinely skilled,
Their saintly master’s word fulfilled.
Like Ráma’s self, from whom they came,
They showed their sire in face and frame,
As though from some fair sculptured stone
Two selfsame images had grown.
Sometimes the pair rose up to sing,
Surrounded by a holy ring,
Where seated on the grass had met
Full many a musing anchoret.
Then tears bedimmed those gentle eyes,
As transport took them and surprise,
And as they listened every one
Cried in delight, Well done! Well done!
Those sages versed in holy lore
Praised the sweet minstrels more and more:
And wondered at the singers’ skill,
And the bard’s verses sweeter still,
Which laid so clear before the eye
The glorious deeds of days gone by.
Thus by the virtuous hermits praised,
Inspirited their voice they raised.
Pleased with the song this holy man
Would give the youths a water-can;
One gave a fair ascetic dress,
Or sweet fruit from the wilderness.
One saint a black-deer’s hide would bring,
And one a sacrificial string:
One, a clay pitcher from his hoard,
And one, a twisted munja cord.59
One in his joy an axe would find,
One braid, their plaited locks to bind.
One gave a sacrificial cup,
One rope to tie their fagots up;
While fuel at their feet was laid,
Or hermit’s stool of fig-tree made.
All gave, or if they gave not, none
Forgot at least a benison.
Some saints, delighted with their lays,
Would promise health and length of days;
Others with surest words would add
Some boon to make their spirit glad.
In such degree of honour then
That song was held by holy men:
That living song which life can give,
By which shall many a minstrel live.
In seat of kings, in crowded hall,
They sang the poem, praised of all.
And Ráma chanced to hear their lay,
While he the votive steed60 would slay,
And sent fit messengers to bring
The minstrel pair before the king.
They came, and found the monarch high
Enthroned in gold, his brothers nigh;
While many a minister below,
And noble, sate in lengthened row.
The youthful pair awhile he viewed
Graceful in modest attitude,
And then in words like these addressed
His brother Lakshmaṇ and the rest:
“Come, listen to the wondrous strain
Recited by these godlike twain,
Sweet singers of a story fraught
With melody and lofty thought.”

 The pair, with voices sweet and strong,
Rolled the full tide of noble song,
With tone and accent deftly blent
To suit the changing argument.
Mid that assembly loud and clear
Rang forth that lay so sweet to hear,
That universal rapture stole
Through each man’s frame and heart and soul.
“These minstrels, blest with every sign
That marks a high and princely line,
 In holy shades who dwell,
Enshrined in Saint Válmíki’s lay,
A monument to live for aye,
 My deeds in song shall tell.”
Thus Ráma spoke: their breasts were fired,
And the great tale, as if inspired,
 The youths began to sing,
While every heart with transport swelled,
And mute and rapt attention held
 The concourse and the king.

Griffith’s notes (5)
  1. The twin sons of Ráma and Sítá, born after Ráma had repudiated Sítá, and brought up in the hermitage of Válmíki. As they were the first rhapsodists the combined name Kuśílava signifies a reciter of poems, or an improvisatore, even to the present day.
  2. Perhaps the bass, tenor, and treble, or quick, slow and middle times. we know but little of the ancient music of the Hindus.
  3. Eight flavours or sentiments are usually enumerated, love, mirth, tenderness, anger, heroism, terror, disgust, and surprise; tranquility or content, or paternal tenderness, is sometimes considered the ninth. WILSON. See the Sáhitya Darpaṇa or Mirror of Composition translated by Dr. Ballantyne and Bábú Pramadádása Mittra in the Bibliotheca Indica.
  4. Saccharum Munja is a plant from whose fibres is twisted the sacred string which a Bráhman wears over one shoulder after he has been initiated by a rite which in some respects answers to confirmation.
  5. A description of an Aśvamedha or Horse Sacrifice is given in Canto XIII. of this Book.

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English: Ralph T. H. Griffith, The Rámáyan of Válmíki, translated into English verse, 5 vols. (London: Trübner & Co.; Benares: E. J. Lazarus and Co., 1870–1874), public domain. Transcription: Project Gutenberg eBook #24869 (Distributed Proofreaders). Sanskrit: Sanskrit Wikisource. The ancient text is public domain; Wikisource page text is shared under CC BY-SA 4.0.